Bon Iver Bon Iver, Bon Iver

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// Essential Listening Bon Iver, Bon Iver is the second studio album from American indie folk band Bon Iver, originally released in 2011.First it was For Emma, Forever Ago. The soul in a refraction of icicles. A moment hanging like breath on air. And yet l

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// Essential Listening

Bon Iver, Bon Iver is the second studio album from American indie folk band Bon Iver, originally released in 2011.First it was For Emma, Forever Ago. The soul in a refraction of icicles. A moment hanging like breath on air. And yet life – even still life – is not still. The story is not a story if it does not unravel. Your eyes you may cast backward, but the heart is locked in the chest and must beat forever forward. Bon Iver, Bon Iver is the frozen beast pressing upward from a loosening earth, one ear cocked to the echo of the ghost choir still singing, the other craving the martial call of drums tumbling, of thrum and wheeze. The desolation smoke has dissipated, cut with strips of brass. Celebration will not be denied, the cabinet cannot contain the rattle, there is meat on the bones.

It’s there right away, in the thicker-stringed guitar and military snare of “Perth,” and “Minnesota, WI.” Anyone who had a single listen to For Emma will peg Justin Vernon’s vocals immediately, but there is a sturdiness – an insistence – to Bon Iver, Bon Iver that allows him to escape the cabin in the woods without burning it to the ground. “Holocene” opens with simple finger-picking. The vocal is regret spun hollow and strung on a wire. Then the snare-beat breaks and drives us forward and up and up until we fly silent through the black-star night, our wreckage in view whole atmospheres below. The vocals in “Hinnom, TX” ease to the muffled depths, while the instrumentation remains sparse and cosmic. “Calgary” is a worship song to everything For Emma mourned, and at the point in the final track “Beth/Rest” when Vernon sings, “I ain’t livin’ in the dark no more” it is clear he isn’t dancing in the sunshine, but rather shading toward a new light.

Bon Iver, Bon Iver was recorded and mixed at April Base Studios, a remodeled veterinarian’s clinic located in rural Fall Creek, Wisconsin. The main recording space is constructed over a defunct indoor pool attached to the clinic. “It’s an unique space and destination; it’s our home out here,” says Vernon, who purchased the structure with his brother in late 2008 with the sole intention of converting it into his ideal recording studio. “It’s been a wonderful freedom, working in a place we built. It’s also only three miles from the house I grew up in, and just ten minutes from the bar where my parents met.” The creation of Bon Iver, Bon Iver was a three-year process, and Vernon says the completion of the studio paralleled the completion of the album. “I was writing and recording in the windows of time snatched between tours in support of For Emma,” he says. “When I finally came home to hunker down for a solid stretch there was a feeling of solid ground and an opportunity for liberation waiting in the space for me.” via Label



Label:Jagjaguwar
Format:Vinyl, LP, Album, Reissue, Gatefold
Reissued: 2017 / Original Release: 2011
Genre:Rock
Style:Folk Rock, Indie Rock

File under: Alternative / Indie / Pop

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Bon Iver – Bon Iver, Bon Iver

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Bon Iver, the musical project of Justin Vernon that emerged to international acclaim in 2008 with 'For Emma, Forever Ago,' release the new self titled album on Jagjaguwar. Featuring 10 new songs penned by Vernon, the album' expands the group's sonic palett

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Bon Iver, the musical project of Justin Vernon that emerged to international acclaim in 2008 with ‘For Emma, Forever Ago,’ release the new self titled album on Jagjaguwar. Featuring 10 new songs penned by Vernon, the album’ expands the group’s sonic palette beyond the rustic acoustics of the debut into a lush landscape of silky electric guitars, beautifully intricate keys, and subtle horn and string sections while keeping the ghost choirs and densely layered vocals intact that Bon Iver has become so known for.

Painstakingly crafted over three years, the album was recorded and mixed at April Base Studios, a former veterinarian’s clinic in Fall Creek, WI, converted into a recording studio by Vernon and his brother. Bon Iver regulars Sean Carey, Mike Noyce and Matt McCaughan contributed vocals, drums and production; Rob Moose (Antony and the Johnsons, The National) helped with arranging and strings; and Jim Schoenecker and Tom Wincek (who have previously collaborated with Vernon under the Volcano Choir moniker) provided processing.

The album also features the pedal steel of Greg Leisz (Lucinda Williams, Bill Frisell) and a horn section including Colin Stetson (Tom Waits, Arcade Fire), Mike Lewis (Andrew Bird, Happy Apple), and C.J. Camerieri (Rufus Wainwright, Sufjan Stevens).

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