Shinichi Atobe is a Saitama-based producer who has been making house and techno music since he was 27 years old. His sound has evolved from abstract, dubby minimal techno to brighter, more melodic deep house.Originally appearing in 2001 with a12-inch EP titled Ship-Scope (2001), which came out on the cult-favorite dub techno label Chain Reaction. Copies subsequently changed hands for triple-digit U.S. dollar amounts. Atobe disappeared for over a decade and during the early 2010s, Miles Whittaker and Sean Canty of Demdike Stare managed to track down the Japanese producer and convinced him to release Atobes first full-length album, Butterfly Effect (2014), on their record label DDS.

From The Heart, It’s A Start, A Work Of Art was released back in 2017 and is perhaps the most unique and enduring of all of his output over the years. Curiously, it has origins going all the way back to early 2000, when three of the tracks here were originally produced and cut to acetate at D&M in Berlin (in an edition of 5!), presumably lined up as a follow-up of sorts to Atobes legendary “Ship Scope” 12 for Chain reaction from the same era. Alas, it wasnt to be, and almost two decades later these tracks, re-mastered from that original acetate, make up the centrepiece of this amazing record alongside mesmerising newer productions.The tracks here are effectively some of the Japanese producers earliest work, showcasing the sort of tender, feminine pressure that would bubble up on theShip-ScopeEP and later be revealed in his new productions,Butterfly EffectandWorldyet, for many reasons, would lay sunk in his archive for the next 17 years.The tracks taken from that acetate are labelledFirst Plate 1-3and are quite remarkable, having taken on so much added weight over the years that the incidental crackle of surface noise imbues proceedings with an added dimension thats hard to fathom. it basically sounds like a lost transmission making its way from Paul-Lincke-Ufer at the turn of the millennium to a new, completely changed world all these years later.

The patina of crackle lends a mist-on-bare skin feeling akin to summer garden parties at Berghain in the steppingFirst Plate 1, and gives a foggier sort of depth perception to the hydraulic, Maurizian heft ofFirst Plate 2, but its the submerged euphoria ofFirst Plate 3that hits the hardest; a heady, bittersweet reminder of days gone by.The other four tracks are crisply transferred from master tapes, relinquishing a sublime, impossible to categorise House variant that recalls everything from DJ Sprinkles to Ron Trent, yet with that weird, timeless production style that by now has become something of a signature for this most distinctive and hard to categorise producer. For our money, it ranks among the finest and most distinctive in the Chain Reaction / Shinichi canon. via Label

Label: DDS
Format: 2 x Vinyl, LP, Album, Limited Edition, Repress
Reissued: 2024 / Original Release: 2017
Genre: Electronic
Style: Minimal, Ambient, Techno, Abstract, House

File under: House / Electro / Techno