Trumpeter Kenny Dorham is captured in his hard-swinging prime on 2025’s archival recording Blue Bossa in the Bronx: Live from the Blue Morocco. Transferred from tape reels recorded in 1967, the album features the legendary trumpeter leading a quartet with alto saxophonistSonny Red, pianistCedar Walton, bassistPaul Chambers, and drummerDenis Charles. While Dorham never officially recorded this particular group on album, he was close with each musician; having featuredChamberson his 1959 albumQuiet Kennyand worked withWaltonon several occasions, including appearing on the pianist’s own 1967 sessionCedar!. This recording exists thanks to fellow engineerBernard Draytonhaving produced a short-lived series of jazz nights at the Bronx nightclub and recorded the proceedings. The result is a delightfully raw-sounding, fly-on-the-wall experience that finds Dorham leading his group through a set of standards and originals, including his own classic Latin composition, “Blue Bossa,” introduced several years prior onJoe Henderson‘sPage One. Here, Dorham stretches out on the tune, bobbing and weaving with a boxer’s dexterity, before landing a bold harmonic punch, his tone a clenched fist of intensity. It’s a vibe he sustains the whole night, moving deftly between warm lyricism and angular harmonic exploration.

The Detroit-bred altoistRedis equally impressive throughout, evoking at turns the propulsive swagger ofJackie McLeanbut also pushing towards the gruff edginess ofSonny Rollins, especially on his showcase rendition of the ballad “Memories of You.” It’s also cool to hear drummerCharles(who fell into obscurity in the ’70s, before remerging in the ’80s) dig into the bossa nova and hard bop grooves here.Waltonis perhaps the most impressive here, conjuring a warm, bluesy sophistication on Dorham’s “Blue Friday” and their urbane take on “My One and Only Love.” Elsewhere, the group display their bop bona fides on “The Theme” and “Confirmation,” the latter of which also features an ear-popping bowed bass solo fromChambers. Though Dorham continued to perform until two days before his 1972 death, his later life was marred by health issues, and his recordings had already become sporadic by the late ’60s. Consequently, Blue Bossa in the Bronx: Live from the Blue Morocco and the few other live recordings that exist are treasured documents of his daring, artful style. via AllMusic

Label: Resonance Records
Format: 2 x Vinyl, LP, Record Store Day, Limited Edition, Numbered, Stereo, 180 Gram
Released: 2025
Genre: Jazz
Style: Bop

File under: Audiophile Jazz