Fusing hard bop with influences of Middle Eastern and Asian music, Eastern Soundswas exploratory yet highly accessible to mainstream jazz audiences. Recorded in 1961 at Rudy Van Gelders legendary studios in Englewood Cliffs, NJ, the album features Lateef on tenor saxophone, oboe, flute, and a Chinesexun(an ancient globular flute). Accompanying Lateef is pianist Barry Harris, drummer Lex Humphries, and bassist Ernie Farrow, who also performs therubaban Afghani lute-like instrument.The engaging, nine-track album primarily consists of Lateefs original compositions, in addition to the Jimmy McHugh standard Dont Blame Me and two soundtrack selections: Love Theme fromSpartacus and Love Theme fromThe Robe. Spanning a variety of moods,Eastern Sounds effectively balances the familiar with the foreign, explains Kahn in his liner notes. When the album truly looks eastin sound and titlemagic happens.

Highlights include the opening and closing tracks, The Plum Blossom and The Three Faces of Balal, respectively, as well as Blues for the Orient. The latter composition, Kahn notes, is a standout track for multiple reasons, including Lateefs oboe, with its evocative power, and the tunes rhythmic construction. He continues, Check out the segue from a deep Southern blues feel to a Middle Eastern liltthen Harrismoves the music even further easta taste of Chinese voicingsbefore bringing it back home to the late-night blues: thousands of miles suggested in a matter of minutes.Eastern Sounds,which marked Lateefs 16th album, was not his first exploration of global music. In fact, by the time that Lateef began recording as a leader in 1957, he was already setting himself apart from his contemporariesbroadening his sound by learning new instruments and studying the music of other cultures. Lateef, who converted to Islam in the late 40s, first experimented with elements of Eastern music inPrayer to the East(Savoy, 1957), and continued to expand his palate throughout his long and prolific career. In his obituary, theNew York Times declared that the groundbreaking artist played world music before world music had a name. via Label

Label: Craft Recordings
Series: Original Jazz Classics
Format: Vinyl, LP, Album, Reissue, Stereo, 180gram
Reissued: 2023 / Original Release: 1961
Genre: Jazz
Style: Soul-Jazz, Modal

File under: Audiophile Jazz